Delving even deeper into the darkness of the monochrome world

Black and white is still my obsession. The world in colour is starting to look quite odd to me when in my art and in my head it is firmly in black and white at the moment. I have become quite addicted to monochrome painting now and I can’t seem to stop painting without colour. I don’t quite know what it is about the ‘colours’ black, white and grey that fascinate me so much. I just love the challenge of taking out colour, not thinking about colour and blending with two shades. It is almost as if I am drawing with paint.

In this current journey, I have been deliberately selecting objects that rely heavily on colour as part of their identity. These objects have come to my mind randomly as I’ve been walking around the house, such as this one.

Rubik’s Cube

I quite like the idea of a monochrome Rubik’s Cube, with six shades of grey. 

I have also been looking at skin tone in greys, which has been more difficult than ordinary objects. The essence of the appearance of skin loses the qualities of warmth and life once you remove the colour from it. It is no longer ‘essence’ in fact, just skin. Taking away the colour ‘deadens’ the flesh, especially if the background, as in this case, retains colour. And indeed the background here is fleshy coloured and has a warmth to it. However, I think the monochrome skin has a new quality. There is an uncanniness about it. It is perhaps slightly abject, because of the sense of death it brings to mind.

You can tell I am left-handed

I have also continued to paint items of food devoid of colour.

Does this make your mouth water?

As well as painting on the linen surface, which I love, I have been looking at the effect of painting with a white, smooth background. Painting ‘colourful’ objects on a white background changes the effect, different from on the linen. It pushes the object much further out and creates a sense of the object being suspended in space.

Ikea bag at rest

There’s something very odd about food without colour. Can the viewer identify this object without colour?

Oven chip with ketchup

The colour of chocolate is extremely important to its identity and effect on the viewer, so removing the colour actually changes the object’s identity entirely. These could be any sort of curved disks. 

Chocolate buttons

I’m not sure yet where this is leading me, but I am thoroughly enjoying returning to the ‘basics’ of painting. I haven’t painted much since I started the Foundation Degree five years ago. But then my art has always been about the concept coming first, and in this case the concept leads me to paint.

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