Art buskers of the world unite

Walking along the Charles Bridge in Prague the other day, I was amazed at the sheer number of street portrait artists that sit either side of the bridge touting for business.

Charles Bridge

Charles Bridge

They all seemed to offer the same service, sitting there with their easels and astonishing claims of ‘your portrait in 15 minutes’. As I ambled along the bridge admiring their work I found myself feeling quite despondent. I will never be able to draw like they can, and what’s more, I will never be able to draw like they can in 15 minutes, and what’s even more, I will never be able to draw like they can in 15 minutes on demand.

Choose me, not the other identical street artists on either side of me!

Choose me, not the other identical street artists on either side of me!

I wonder where these people come from. Do they go do a street portrait artist course to qualify? Or do they produce great works of art at home that they know they can’t make a living from and just use street art as a way of making money? Do they get bored of churning out unique identical portraits of tourists? Or, do they enjoy it? The work they produced was of a high standard in terms of technical ability yet I could not tell one artist’s style from the next. Why do they all have such a similar style? Perhaps they conspire together to produce the same style and quality of artwork. I could have picked any of them to draw me and the result would have been almost identical. Do the artists in London produce the same style portraits as those in Prague, Berlin, Nairobi, Muscat?  I suspect they do. This fact cheered me up, at least I have my own style and I can indulge at my leisure without worrying too much about money (being able to earn an income with online editorial project management rather than really bad attempts at portrait art).

Still, I feel sorry for these artists who aren’t able to earn a solid income as well as draw. I just hope they are happy, leaving a tiny bit of themselves in the homes, possibly framed, of some of the millions of visitors to Prague (and London, Paris, New York, Kabul, Rome).

'I hope it looks like me, if not I'm going to be really cross'.

‘I hope it looks like me, if not I’m going to be really cross’.

 

Posted in Blog | Tagged , | 3 Comments

Leaving a presence around Paris

At the moment, as the topic I am studying for college is ‘absence as presence’, I am interested to hear about anyone leaving their sense of presence, their trace, in their art. So hence why those yarn bombers in Chipping Norton caught my attention a few weeks back. This time the ‘bomber’ that has interested me is a ‘face bomber’, a street artist called Gregos who has been leaving his face around the streets of Paris.

Stripy face

Stripy face

This reminds me slightly of the Gromits that have been on display around Bristol and Somerset this summer (we found one in Cheddar Gorge).

One of the Bristol Gromits

One of the Bristol Gromits

Gregos is a self-taught artist, and is a year younger than me. He  creates replicas of his face showing a variety of expressions which he then paints and leaves around Paris. Each face is a self-portrait and expresses his feelings, thoughts and ‘his past, present, and future, everything that makes Gregos’ (http://gregosart.com). He is leaving his presence everywhere.

I hope it isn't windy

I hope it isn’t windy

He has, to date, left around 500 faces, mostly in Paris, but also elsewhere in France and in other cities around the world such as Tokyo, Sao Paolo, Seattle, Athens and Berlin.

The many faces of Athens

The many faces of Athens

I love his idea, everyone leaves a trace of themselves around the streets of where they live, and in the cities they visit around the world (if they are lucky enough to travel that far) but Gregos does it conspicuously, literally. Of course we can’t all do this, the world would be filled with faces.

References

Gregos’s website, http://gregosart.com/ [last accessed 12 September 2013]

BBC News, http://www.bbc.co.uk/news/entertainment-arts-24022206 [last accessed 12 September 2013]

 

Posted in Blog | Tagged , | 2 Comments

Staircases

Recently I have become interested in staircases. I like them because they are the forgotten part of a building, whether in a house or a public space. People rarely take the trouble to make the most of their staircases and they rarely decorate or linger on the staircases. We go up and down them yet never stop to consider them. They see so much yet remain so silent about it. I’ve been compiling a sketch pad of staircases, in honour of the diversity of staircases.

One of my many staircases

One of my many staircases

Then I came across the Endless Staircase in the most recent edition of Modern Painters magazine. The Endless Staircase is a wooden topsy turvy ‘endless’ set of steps that will be installed outside St Paul’s Cathedral in September to celebrate London Design Festival 2013. The Endless Staircase was designed by architect Rijke Marsh who confesses to be a bit of an Escher fan (as am I). It consists of 20 staircases that overlap, interlock and lead nowhere.

Which way is up?

Which way is up?

Once again, I wish I lived near London. Me and my children would love to explore this.

I often dream of staircases, which appear in my dreams to be broken or full of holes. I wonder what that means? It probably just means I should move my interest to something else.

stairs sunday 2

Another one of my many staircases

 

 References

Chilton, M., ‘Endless Staircase at St Paul’s Cathedral’ 5 June 2013 The Telegraph, http://www.telegraph.co.uk/culture/art/architecture/10100104/Endless-Staircase-at-St-Pauls-Cathedral.html [last accessed 5 September 2013]

Zara, J., 2013, ‘A Nod to Escher’ Modern Painters, September, p. 27

Posted in Blog | Tagged | Leave a comment

Another ‘favourite’ artist to add to the pile…

Today, whilst searching for good coffee, my three boys and I stumbled across a Craft Fayre in Boulders Cafe in Borth (we are on holiday this week).

Where arty farty people meet and exchange ideas

Where arty farty people meet and exchange ideas

I love going to Craft Fayres because they can be very inspirational for my own creativity and also for motivation. Every now and then I also discover a new ‘favourite’ artist at these events, or during gallery visits (another example is Menna Angharad, the pillow lady, whose work I discovered recently at a gallery in Hay on Wye).

Inspirational pillow art

Inspirational pillow art

Today’s new favourite, though, is a chap called Mikey Bailey. He lives in Borth and paints Borth. I have painted many pictures of Borth myself, and the sea, so we have that in common. I find the sea a great source of inspiration for my art (although less so since I started my foundation degree). However, Mikey’s work is very different from mine. I love the simple composition, bright colours, and overall calming effect his work has on me. Perhaps it is the fact these paintings conjure up images from my childhood (such as Pigeon Street or Mr Ben). Perhaps it is that they are refreshingly different. Or maybe it is that his style is so vastly different from my style. I don’t know what it is, but I like them.

Borth at its best

Borth at its best

Googling this man, though, and there is nothing out there about him. Who is he? What inspires him? Where did he come from? Why does he paint the sea? I don’t know. I don’t suppose it matters hugely.

MB1

I want one of these paintings for myself. Sadly, as my house is full to the brim with my own paintings there is no room for anyone else’s.

The house with no room for more art

The house with no room for more art – which is nobody’s fault, not even the Romans

Posted in Blog | Tagged , , | 2 Comments

Art on everyday objects – napkins

I like the idea that you can draw on anything and call it art, or draw with anything and call it art. So when I heard about a hotel in Margate that has preserved and displayed napkins turned into artworks I felt my art antenna tingle.

The hotel of arty napkins

The hotel of arty napkins

Guests are invited to turn hotel napkins into works of art with the chance to have the artworks added to the gallery of napkins. There are currently 92 decorated napkins on display.

One of the napkins, by Paul James

One of the napkins, by Paul James

Tracey Emin, apparently, has promised to add a napkin at some point. I’ll make the same promise, should I ever find myself in Margate and staying at the Walpole Bay Hotel.

References

BBC News ‘Margate hotel collects napkin art, http://www.bbc.co.uk/news/uk-england-kent-23847301 [last accessed 30 August 2013]

Posted in Blog | Tagged | Leave a comment

What does the London Underground taste like to you?

To me the London Underground doesn’t taste of anything, but to one man, James Wannerton, it tastes of all sorts of things from roast lamb to sausage rolls, from prune juice to ham sandwich, and from soft black wine gum to carrot cake. He has finally been able to create his own complete version of the London Underground map after 49 years of traveling on the Underground and making notes, tasting, in some cases salivating and other perhaps retching along the way.

What's the quickest route from Flumps to Sprouts?

What’s the quickest route from Flumps to Sprouts?

I have the sort of synaesthesia which means that I see words, letters, numbers and names in colour. There are many types of synaestheia and Mr Wannerton has a type of synaesthesia that connects places with tastes. Mr Wannerton’s synaesthesia is called lexical-gustatory synaesthesia and he’s quite into the subject being the President of the UK Synaesthesia Association.

So if you were to go to London by train from my hometown you’d arrive in Roast Lamb and you might want to go shopping and get off at Oxtail Soup. I quite like going to Chocolate Digestives though for a bit of a browse.

Yummy Caramelised Lamb sounds a great place to go

Yummy Caramelised Lamb sounds a great place to go

I’m very jealous. I think my branch of synaesthesia is actually quite boring. By the way, the word synaesethesia is white and blue with a bit of yellowy-green. I have no idea what it tastes of, though.

References

Riley-Smith, B., 23 August 2013, ‘What do London Underground stops taste like?’, The Telegraph http://www.telegraph.co.uk/news/uknews/road-and-rail-transport/10257633/What-do-London-Underground-stops-taste-like.html [last accessed 23 August 2013]

Posted in Blog | Tagged | Leave a comment

I have an idea, I must be about to ovulate!

Related to yesterday’s musings over creativity coming during times of distraction and relaxation, it occurred to me that perhaps some elements of creativity can be related to the menstrual cycle (not for those male artists out there, of course), and I find that the Internet agrees with me.

Are you more creative at full moon or new moon?

Are you more creative at full moon or new moon?

As Krug et al (1994) concluded in their study of the relationship between the menstrual cycle and creativity and motor skills: ‘During the preovulatory phase, creativity was in general improved when serum concentrations of estrogen (E2) and luteinizing hormone (LH) were highest whereas motor perseveration decreased.’ (pp. 21) So basically, I should do more painting during the ‘preovulatory phase’ but avoid driving the car.

Feeling creative? Avoid driving the car

Feeling creative? Avoid driving the car

The menstrual cycle is divided into four phases: preovulation, ovulation, pre-menstruation and menstruation. In each phase women are said to experience days of heightened abilities in various skills. It is in the preovulation phase where creativity kicks in. Looking back to Monday’s Zumba session I guess I could have been in the preovulation phase. I don’t really keep a close enough track on these things. But I do find that my creativity nose dives in the ‘pre-menstruation’ phase but then so does all other enthusiasms except perhaps for chocolate.

To paint or eat chocolate, that is the question

To paint or eat chocolate, that is the question

I think my conclusion here is that I need to drive the car three weeks of the month to harness those light-bulb moments, and for the other week only the light-bulb moments will just come to me.

References

Krug, R., et al, 1994, ‘Effects of menstrual cycle on creativity’ Psychoneuroendocrinology 19(1), pp.21-31

The Optimized Woman, http://www.optimizedwoman.com/womens-lifecoaching-article-writersblock.html [last accessed 21 August 2013]

Posted in Blog | 1 Comment

Why do I get my best ideas during Zumba?

Yesterday (and not for the first time) I was at Zumba when I was struck down suddenly with an idea. It was a good idea (and still is). I wanted to write it down straight away. I wanted to stop dancing and find some paper and a pen. I had to wait until I got home to write it down.

I'm there somewhere...

I’m there somewhere…

This got me to wondering, why do I get ideas while at Zumba? Or when I am driving, cycling, or between deep sleeps at 3am? Is this normal?

A while ago, I became interested in the connection between mental health and creativity, and I think the idea that creativity can come when we are in a slightly altered state of mind is connected to that. Some artists have famously entered drug-induced states of mind to enhance creativity. I think that’s another discussion.

Science tells us that one of the key ingredients to creativity is dopamine. Triggers for creative spells are activities that make us feel lost in drifting thoughts and relaxed. We feel happy. They therefore provide an increased dopamine flow. Such activities include: bathing, showering, driving, and Zumba of course.

The creativity hormone

The creativity hormone

Dopamine alone isn’t enough. There is an added ingredient, says science, and that is distraction. The subconscious mind may have been pondering an issue or an idea for days and going to Zumba creates what is called an ‘incubation period’ for the mind. The subconscious mind has been working extremely hard all day and once the mind is allowed to rest, it can surface and plant those ideas into the conscious mind. So hey presto my idea!

Can't think of any ideas? Go for a drive.

Can’t think of any ideas? Go for a drive.

The other place to find ideas is sleep. Or more accurately, between sleep and wakefulness. Apparently Salvador Dali used to take naps sitting in a chair with a spoon in his mouth and a bowl in his lap in order to reign in on the burst of creativity experienced either before a deep sleep or between deep sleeps. The idea was that as he was entering deep sleep his mouth would open and drop the spoon, which would clatter on the bowl and wake him up. This state of mind is called hypnagogic imagery. The term is Greek and means roughly abducting into sleep. It refers to that between state when the mind is just beginning to dream but is still conscious. I think this state of sleep is more for inducing those completely bonkers out-of-this-world ideas. I often have mad ideas at 3am that run away from the light of day.

The tricks the mind plays between sleep and wakefulness

The tricks the mind plays between sleep and wakefulness

Perhaps I shouldn’t throw away my 3am ideas. Dali didn’t and look what became of him?

 References

Leo Widrich, ‘Why we have our best ideas in the shower: The science of creativity’, Feb 28th 2013, http://blog.bufferapp.com/why-we-have-our-best-ideas-in-the-shower-the-science-of-creativity [last accessed 20 August 2013]

OMG Facts, http://www.omg-facts.com/Celebs/Salvador-Dali-Would-Wake-Himself-Up-The/51420 [last accessed 20 August 2013]

Posted in Blog | Tagged | 1 Comment

Not for the aracnophobic…

Whilst browsing the latest copy of ‘Modern Painters‘ (I am a geeky art student now, don’t you know) I came across an artist who recently (in March and April this year) exhibited spiders in boxes at a gallery in Berlin. This idea interested me as I like wacky art. His name is Tomas Saraceno and he was interested in looking at and showing the expanding spatial structures of spiders’ webs. I find the installation quite beautiful and mesmerizing (if only I lived in Berlin, or had been visiting last Spring).

Spiderman

Spiderman

Saraceno placed translucent cubes in a darkened gallery space housing spiders’ webs built by different species of spiders. Some of the spiders, which are classed as social spiders,  have a social instinct. Some of the webs were ‘artificial’ creations in that they were built by spiders building on top of older webs.

Saraceno, in coming up with this idea, was interested in social organization, cooperation, networks, communication, cohabitation and hybridity.

Spiders in a box

Spiders in a box

This is a real mixing of art and science. It is a study of the beauty of these semi-natural creations and a study of spider behaviour. Saraceno was also interested in how to apply the image these spiders’ webs creates to the notion of galaxy formations. So astrophysics pops it’s head up here too and I like physics too.

References

Esther Schipper, http://www.estherschipper.com/ABOUT [last accessed 16 August 2013]

Modern Painters, annual gallery issue 2013, August 2013

 

Posted in Blog | Tagged | Leave a comment

Art thieves strike again…

A few weeks ago, I found out about the interesting case of the missing street art ‘Slave Labour‘ taken from the side of a Poundland shop.

It seems to have happened again. This time in less mysterious, but equally as sinister, circumstances. A piece of Banksy artwork entitled ‘No Ball Games’ has been removed from Tottenham in London. The Sincura Group, the same company who came to acquire ‘Slave Labour’, have openly taken responsibility for the removal of this artwork, saying they are going to repair it, auction it off and donate the funds to a local charity. It seems they are dressing this act up as as a good cause, saying that the artwork has been defaced and damaged and they are stepping in to restore it to ‘its former glory’ as they stated. The local community feels differently though. It has been part of their landscape. The whole point of street art is that it belongs to the community, to anyone. Now the gap where the artwork was will be known for once being a little piece of Banksy art.

No Ball Games

No Ball Games

This again brings to mind the sad fact that street art is not in fact everyone’s art. Economic forces inevitably come into play and the art elite take their share irrespective of the views or original intentions of the artist. If the artist gives his or her art to the community, the art elite is able to take ownership.

References

BBC Website article, http://www.bbc.co.uk/news/uk-england-london-23461396 [last accessed 27 July 2013]

 

Posted in Blog | Tagged | 1 Comment